The Entire Scope of the Phenomenon of Synchronicity
- Stephen
J. Davis
The definition of
synchronicity is a meaningful coincidence, i.e.
one that holds some personal significance for the
experiencer.
Some
feel coincidence to be a guiding force in their
lives, a force by which decisions are made, much
as one would use astrology. Some equate the word
coincidence with the word chance, and so may make
statements to the effect that they "don't believe
in coincidence". From that statement alone, however,
it is impossible to tell wether or not such a
person is a skeptic or a mystic!
Some are unsure of the relationship between the
terms coincidence and synchronicity - even to
the ontological distinction between the two! (
ontology involves the different forms of growth
).
Many others beleive that synchronicities are a
sign that we are living in an age of ever increasing
interconnectedness, heading toward an "omega point",
an "end of all ends", when all things will be
revealed as interconnected.
There is even much debate on wether synchronicity
should be regarded seperate from the field of
parapsychology, or even wether parapsychological
phenomena themselves may be considered merely
as different manifestations of synchronicity!
Some question the relationship between psychology
and synchronicity.
Still others see synchronicity as a mystical event,
one that shows that in the moment a question arises,
the answer too can be found.
The definition of synchronicity, according to
Jung himself, is a meaningful coincidence, i.e.
a coincidence that holds some personal significance
for the experiencer. Writes Jung, " Although meaning
is an anthropomorphic (of human origin) interpretation
it nevertheless forms the indispensable criterion
of synchronicity. What that factor which appears
to us as "meaning" may be in itself we have no
possibility of knowing." In line with Jung's writing,
it has been suggested that the only validity of
synchronicity lies in the observers' (participators')
opinion of wether the synchronicity gives a true
rendering of his psychic condition - that the
meaningfulness of a synchronicity can only be
judged subjectively.
It has also been suggested that the term synchronicity,
for many, refers to a remarkable coincidence which
would be assumed to have a very low probability
of occuring, yet occurs just the same. Despite
its psychological components, synchronicity occurs
independently of psychological or cultural conditioning,
thereby revealing its objective components as
well.
Others argue that the limitation is not in the
universe itself, but in how we choose to percieve
it. Some suggest that synchronicities happen all
the time, but we are not always aware of their
existence. It should be obvious through the very
nature of synchronicity itself that there are
physical components, as well as psychological
components, involved in its creation. This is
not disputed by anyone. What is usually questioned
is the nature of the relationship between the
two.
Some synchronicities appear so meaningfully ordered
between the psychic (mental) states of the experiencer
and the multiple number of objective physical
elements that 'random chance', as an explanation,
strains to accomodate them. However, anagramatic
synchroncities come closer to blurring the distinction
between the creativity of the human mind and any
hypothesized pre-existent order.
Anagramatic synchronicities consist of rearranging
the letters of a single word or group of words
- as in a sentence - to make an appropriate descriptive
sentence - for example; the letters of "desperation"
may be rearranged to produce two such sentences:
"I at rope's end" and "A rope ends it". And at
other times, that which may seem synchronistic
can only be due to the facts of shared interest
and background. This is what is known as psuedo-coincidence.
Is it the case then, as in the study of figurative
language, that there are many forms of synchronicity
giving rise to a plethora of terms such as coincidence,
luck, fate, omens, destiny, karma, miracles, chance,
providence, intuition and serendipity?
According to some, one main distinction between
these different types of phenomena may involve
the percentage of "inner knowing" to that of "outer
knowing". Even less understood is Jungs' viewpoint
on the nature of synchronicity, as one may glean
from popular literature. It appears from Jungs'
writings that a synchronicities' transcendental
nature, coupled with the new perspectives in quantum
physics, was sufficient justification for labeling
synchronicity as a-causal. Jung observed that
in order to qualify as a synchronicity, the many
elements that make up a synchronicity must belong
to chains of causal events , and these chains
must have no causal connection amongst each other.
This is certainly a clear, unambiguous understanding
of the term a-causal as it relates to synchronicity.
Another writes that acausality may be understood
as free will. Lest we paint a completely rosy
picture of synchronicity, we should perhaps stop
to consider "The possibility of harmful or even
fatal "synchronistic" occurances.( Jule Eisenbud,
as quoted in Incredible Coincidence by Alan Vaughan)".
Some synchronicities, instead of bringing a feeling
of togetherness and harmony, may actually engender
just the opposite - feelings of utter discord,
which may be based on mutual misunderstanding,
or a sort of mutual repulsion, void of any objective
discord, yet nevertheless subjectively percieved
as such by the experiencer.
Then there are the types of coincidence which
appear to have saved us from harm's way. A lucky
coincidence?
What are we to make of all this? Perhaps one of
the most interesting aspects of synchronicity
that may be discussed involves its creative character.
Jung called synchronicities "acts of creation
in time", and explained that this was the reason
he chose the term. He was very careful, however,
to stress the fact that by calling synchronicity
a creative act, he was NOT claiming synchronicity
to be a subjective interpretation of the situation.
In a study at Rutgers University, psychologists
found that large metaphors were linked with the
process of discovery and with the organization
of a body of material. In their book, Metaphors
We Live By, authors Mark Johnson and George Lakoff
present us with evidence that our entire conceptual
system is structured in large part by metaphor.
The study of metaphor ( multi-dimensional meaning
) is, in itself, a very fascinating field of study.
What, you may ask, does all of this have to do
with synchronicity?
Glad you asked!
If our conceptions are structured in large part
by metaphor, synchronicity should be a natural
part of that conception, considering its metaphorical
nature. In fact, many scientific discoveries have
been made through such serendipities. Good creative
problem solving is often accomplished through
the use of a "multi-dimensional solution", i.e.
a solution that solves many problems at once.
This fact implies a wholistic system , where the
multiple problems are "novelties" and the solution
becomes the "constraint" or redundant element
( the answer isn't hard to find, its asking the
right questions! ). Often the road to finding
that solution is marked by self-reference and
self-similarities. Two traits that are integral
to synchronicities ( http:// members.tripod.com/~One_3/page-1.html
).
There are certain ceavets when it comes to considering
synchronicity in the light of creative possibilities.
First of all, we cannot force a synchronicity,
nor can we expect to find one on command. Ascertaining
the difference between a true synchronicity and
a psuedo-coincidence is the goal of forming good
criteria.
Secondly, we must always beware of "reading into"
things a meaning that is present ONLY in the subjective
interpretation of events. This has, perhaps, been
a bewildering introduction to the many levels
of intrigue one is faced with in the study of
synchronicity.
The field is rich with possibilities. Get out
your notebooks!
Stephen J. Davis
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