Are Finally Here!
III, DIMENSIONALITY! YES
.... They have arrived, after 30 years!.
Paul spent the last 40 years living in a 30 x 19 ft. utility-room
diligently producing hundreds of these immensely
detailed and meaningful paintings, which average 6 x 6 ft. square.
Kent Gallery has released a set of three posters,
All Poster Sales will Support the
Production of Paul Laffoley's Catalogue Raisonne
A book of his Complete Paintings and Writings. Expected release
date 2010; In 4 sections
• Early Works, • Works prior to 1990, •
The Time of the Bauharoque: 2000-2099, •The Journal
want to see ALL of Paul Laffoley's art released in a large format
in as short a time as possible,
the best way to make that happen
is to get these first-ever posters.
EXCLUSIVELY AVAILABLE AT
Can Order Online Now
MC, Disc, AmEx, etc.
|THANATON III & DIMENSIONALITY
are $40.00 each plus tube shipping
KAIL-YUGA / Palais De Tokyo is 30 x 27 in. and is $30.00 plus tube shipping
"The goal of our present endeavor is to produce a transdisciplinary
which will sustain human existence into a continuous future."
- Paul Laffoley
Here they are! Hanging in my room ... I have been waiting like 15
years for this!!!
Get a Full Chart of Spiritual-Physical Dimensions or an Alien Communication
Portal for your Loved Ones!
Feedback and Reviews:
"Thanaton III arrived from the Kent Gallery today. It's a beautiful
piece of art. Worth every cent!
When I removed it from the tube, I felt like I had just been given
secret plans, or an ancient artifact.
I can go on all night about it, but I will say this; If anyone reading
this is hesitant about ordering,
get off the fence. You won't regret it. Thanks Paul, Miqel, and
the Kent Gallery, for making this possible."
George's Inner-I-Designs - NEW JERSEY
Laffoley's art describes the emergence of the Bauharoque
.... which is the last period in the Modern Cycle. Beginning
the turn of the second millennium A.D. and lasting to the year 2099.
This time period will see the end of 'science fiction' as all possibilities
Religions, morality, mysticism and technology converge and after
this sequence (which is
happening now) All technology becomes physically alive as evolution
becomes artificial & self-directed.
Life and death become united and sex, race, species, matter, mind,
space and time become interchangeable.
1965 Oil, acrylic, ink, lettering on canvas 73 1/2 x 73 1/2 in.
The Cosmos Falls into the Chaos as Shakti Releases The Uroboros:
The Elimination of Value Systems by Spectrum Analysis
1989 Oil, acrylic, ink, lettering on canvas 73 1/2 x 73 1/2 in.
Subject: A Visitation by a Flying Saucer and Alien
Symbol Evocation: The tortoise as the Earth-Mother, the Support
of the World
The painting depicts an extraterrestrial's exhortation to me, explaining
1) Link life to death in a continuous experience.
2) Utilize the resulting thanatonic energy to travel faster than
the speed of light,
turn matter into consciousness and back again, alter evolution at
and exist simultaneously at every moment of time.
3) Move the entire universe into the fifth dimensional realm,
and say when in history it is possible for this to happen.
I have also received other information I cannot understand.
Since this information was given to me directly but not for me per
it must be communicated to others, many of whom are better prepared
than I to receive it.
Accordingly I was also shown how to make the painting into psychotronic,
or mind-matter interactive device which is
activated by approaching the painting, stretching out your arms,
touching the upright hands and staring into the eye.
By doing this, new information will come to you through the
active use of the divine proportion, which is the
proportion of life connecting to death.
- Paul Laffoley
DIMENSIONALITY: The Manifestation
1992 Oil, Acrylic, Ink, Lettering on Canvas 98 1/2 x 49 1/2 in.
Subject: The Natural Octave of Spatiality and Temporality
Symbol Evocation: The Geometric Force of the Tension between Fate
and Free Will
(below is a small
excerpt from the almost book-length
'thought form' text on poster margins)
From the mid-nineteenth century until now, dimensionality
has gradually replaced the traditional concept of fate,
first anthropomorphized by the ancient Greeks as three female
sovereigns who determine the course of human life.
The Fates from the Latin “fata” [singular – “fatum”] derives
from the ancient Greek word “moirai” [singular – “moira”].
Both words mean “prophetic declarations” or “oracular utterance.”
When an event is said to be fated, it is the same as that
particular event being decreed to come to pass. But for
humanity the future always remains unknowable except for
an occasional divine inspiration, which is seldom heeded.
The interlocutor for the Romans was Jupiter, while the decisions
of the Fates for the Greeks were spoken by Zeus. Cassandra,
a daughter of Priam [king of Troy], was endowed with the
gift of prophecy but fated never to be believed. This is
the condition the human species finds itself in relation
to the future, never to know the absolute future, but always
believing it can.
In Greek and Roman cultures, the three Fates:
1) Clotho- the spinner – she who spins the thread of life
2) Lachesis- the disposer of lots – she who determines the
length of life
3) Atropos- the inflexible – she who cuts off the thread
of life all three were called goddesses.
They were, however, of such primordial nature that even
early Greek commentators such as the poet Hesiod [Fl. ca.
800 B.C.E.] and the historian Herodotus [ca. 484-420 B.C.E],
considered them Titans [the parents of the gods]. Eventually
even that description would not suffice. Ultimately the
function of the Fates in the universe became associated
with the term “anagke” or necessity.
This is a concept that includes the notions of both
the abstract and the concrete, an idea for which we have
no word because it is assumed that they are opposites.
Even the ancient Greek philosopher Plato [ca. 428-348 B.C.E.]
was unable to find a principle that would act as a sufficient
contrary to necessity. He proposed the concept “nous” or
reason. In the Timaeus, one of his last writings, he had
to accept that reason – the highest and most perfect knowledge
humans could strive for – could only persuade the dictates
of necessity, that is sometimes the fact that necessity
has no particular concern for the human condition either
individually or collectively cast a shadow on the efficacy
of reason to persuade anything. This doubt led in classical
Greek drama to a tragic sense of life in which humanity
lives in a tension of faith in the future and hope for personal
control in the present by reason. And since life seems like
an abrupt vacillation between joy and agony, passion and
apathy, success and struggle, it was assumed that all human
concerns are subject to the whim of the gods. And sometimes
even the gods are dominated by necessity.
The fall into history that began in the eighteenth
century away from a total consideration for the aliveness
of the universe can only be offset by some version of the
so-called Anthropic Principle of Cosmology. The principle
states that these are conditions observed in the universe,
which must allow the observer of the universe to exist,
and the universe must have properties that inevitably result
in the existence of intelligent life.
This means that the dimensional realm, which I am
associating with the traditional concept of fate, is the
decoding of The Anthropic Principle of Cosmology, or at
least are the logical implications of the formal structure
of the dimensional realm.
In order to represent the natural energy states and subjectivity
of temporality, I have selected the traditional Vedic Chakra
glyphs that have a natural spiritual progression. In like
manner, the octave of spatiality has a pure objectivity
that can be best depicted by vibrating spheres of a homogenous
liquid each with identical diameters. Because the liquid
is confined, the frequency change alters by octaves of octaves.
The litany of the dimensional
realm is as follows:
0 – instant: point;
1 – interval: line;
2 – succession: plane;
3 – durance: solid;
4 – time: solvoid;
5 – eternity: vosolid;
6 – hyparxis: void;
7 – zeit: raum;
8 – metatime: metaspace.
The epistemic ladder, which
gradual unity of the dimensional notes, begins with:
and finally; hierophany: sypher
But the main concern for
the human personality is the transition between the fourth
and fifth dimensional notes: myth: symbol. This is the location
of Utopic Space, which exists as an ontic and epistemic
bridge between time and eternity, solvoid vosolid.
Utopic space is often defined as the environment for the
mystical experience, but this is technically untrue in my
dimensional system. The real environment consists epistemically
of a total immersion in eternity and vosolid and actually
the pressing of the entry into hyparxis and void and onto
the pure revelation obtained from epiphany and cypher.
Degrees of consciousness,
from almost blinding light to almost total darkness, provide
the metaphor for Good to Evil, The Divine to The Demonic,
Life to Death, all as degrees of embodiment. These
are the aspects of the entire electromagnetic spectrum,
which include what we call visible light –a very small
portion of the spectrum. Most of the spectrum is undetectable
by our unaided senses, but nevertheless, it contains octaves
of energy which separate themselves into individual dimensions.
Today so-called “physical light” is a metaphor
of the position of human consciousness within the total
dimensional system for two reasons:
“Physical light” always has its origin in the
Past, whether or not that origin is a star or a candle;
(2) The “brilliance” that we associate with
light exists in Nature only in the minds of intelligent
conscious life-forms, and is not inherent in the non-conscious
aspects of Nature. The photons which deliver energy to waiting
retinae do not “carry” light. If it was the
case that they do, the entire Universe would be “lit
up” all of the time in an isotropic and homogeneous
manner, and there would be no “darkness” in
symbol for the velocity light has been in our contemporary
world the letter “C” meaning 299,796 + or –
4 km./ sec. in a vacuum near the Earth , or in the open
air. But now astrophysicists are discovering there is a
type of space which can not be monitored by any aspects
of the electromagnetic spectrum. This is the space where
an old star goes when it explodes and dies. This space is
distinct from the space of a Black Hole, only in the sense
that the Black Hole space is an infinitesimal point of that
, space infinite in extent, which acts as the background
energy plenum of the Universe.
Earth these same astrophysicists have discovered a way of
slowing down the speed of light to 17 mph by changes of
media. They expect very soon to have light to travel
at 4 mph. Then everyone will be able to interact directly
with light, even the blind , because the energy of the electromagnetic
spectrum travels in the human brain at 700 mph.
to Philip Gibbs in an article entitled: “The Symbol
For The Speed Of Light ? “, he states : “…,
it is possible that its use persisted because “C”
could stand for “celeritas” and had therefore
become a conventional symbol for speed. We can not tell
for sure how Drude, Lorentz, Planck or Einstein thought
about their notation, so there can be no definitive answer
for what it stood for then. The only logical answer is that
when you use the symbol “C”, it stands for whatever
possibility you prefer “.
there are many physicists who propose an identification
between light and consciousness by means of formulae that
rival the simplicity and power of Einstein’s famous
E = Mc2. I prefer, therefore, to use “C’ to
stand for consciousness.