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The Basic Truth of Musical Vibration and Reality
Music as the Natural Language of Spirit

John Coltrane as a catalyst for spiritual revelation in focused psychedelic experiences

The main purpose of this page is to examine the deeply spiritual and cleansing "Coltrane Revelation" experiences reported by many listeners on psychedelics (and also many who were not tripping, yet due to whatever circumstances were in a sufficiently open state) where his saxophone sound becomes like another form of communication - alternately described as:
"a spiritual voice" - "a 'natural harmonic language'
communicating spiritual ideals and lessons"
-or-
is heard in sections as ~ "time-transcending" - "ultra-futuristic"
"vastly alien-seeming" - "infinite" - "geometrical or hyper-dimensional"
"ancient" - "divinely inspired" - "spiritually channeled" - "Kundalini energy"
-or- "the Holy Spirit, 'speaking in tongues thru the saxophone' "

• (mp3) Early Coltrane, 1961 337k - Runtime; 0:49
• (mp3) Late-Period 1966 1.8 meg - Runtime; 4:39
• (mp3) Late-Period 1967 1.1 meg - Runtime; 2:45
• (mp3) Late-Period 1967 555k - Runtime; 2:22

Regardless of the quasi-religious language used to describe the experience about twice a year a full-scale debate rages on the "Life and works of John Coltrane" Listserv discussion group about whether Coltrane tripped on LSD, if it affected his music or personal beliefs,
and if he was somehow 'relapsing' from his 1958 commitment to God to live a more pure and spiritual lifestyle.

  Firstly,
it is abundantly clear that trane did indeed trip, probably a number of times between late 1964 and 67. To anyone with firsthand experience of a full-scale psychedelic trip the question "did it influence his music" is meaningless!! At the dosage level popular in the 1960's it was just about impossible not to have an earth-shatteringly profound experience.
I have little doubt that the "reminder" of God's Omniscience that Coltrane mentions in the liner notes to A Love Supreme was his first LSD trip in late '64.
Upon returning from an inner voyage on LSD in 1965, the master of the tenor saxophone and spiritual truthseeker reported that "I perceived the inter-relationship of all life forms." 
this quote and others about Trane's LSD use (it was actually still legal at the time) are attributed to un-named quartet members and friends in more than one Coltrane biography, including:

Ascension : John Coltrane and His Quest
Spirit Catcher :The Life and Art of John Coltrane ;
John Coltrane: His Life and Music
Acid Dreams: The Complete Social History of LSD

I especially want to examine the relationship to South American shamanic practices involving psychedelics and "spiritual songs" which are made to be "seen" more than heard, was Trane becoming a "Psychedelic Shaman"?


  "That's one of the records I would hear walking through the Haight on a spring night, all over town." - Phil Lesh of the Grateful Dead
on Coltrane's 'a Love Supreme'

"I took LSD and listened to Coltrane a lot;
a lot of people did."

-Sam Andrew Guitarist and founding member of (Janis Joplin's) Big Brother and the Holding Company

"I wanted to learn why I was so fascinated with Coltrane and that Sky-Church music, as Jimi [Hendrix] called it.
So I got together with Alice Coltrane
[pianist, harpist, yoga master and former wife of John], and I found out why she writes, and how she writes those celestial strings. It's important for guitarists to listen to her and Pharaoh Sanders.[tenor saxophonist]"

~ Carlos Santana mentions Jimi Hendrix's interest in Coltrane's music in a way indicating Hendrix considered it Holy ["Sky-Church music"]

Basic Idea

Trane's Late-Period works are often rejected
by many critics and listeners who simply don't like it or 'don't get it' beyond the late 1964 material. They know Trane was an intelligent, masterful and deliberate individual and are at a loss to explain this seemingly chaotic music.

and
I have found that MANY of the people I know who are appreciative of his late period works, and consider them a pinnacle of musical and spiritual achievement happen to be the ones familiar with psychedelics or have listened to trane while tripping. so perhaps - Coltrane was playing 'psychedelic music' which is most clearly experienced in a mental state similar to the psychedelic consciousness context from which it flowed.

Hypothesis: Coltrane's 'Late-Period' works are inaccessible to many people because they are most effectively 'understood' in a psychedelic mindset involving time-dilation, emotional openness and synaesthesia.

Example:
Many of Trane's late period works are incredibly dense. WAY more rapid than most listeners are ready to apprehend, and containing interlaced multi-octave lines, they are most commonly described in terms of shape or texture. This is appropriate because on LSD sounds are seen as images & subjective time slows down (to an Extraordinary degree) while ... simultaneously, the 'Pattern comprehension and tracking' abilities of the mind are greatly expanded, providing greater ease in examining detailed or highly compressed information.
 

The Proof? Just try it .... in a peaceful setting .... May you be lucky enough to share in this great and secret blessing. Take a moderate dose of LSD or Mushrooms & listen to; Newport 1963, A Love Supreme, First Meditations, Meditations, Sun-Ship, Live in Seattle, Interstellar Space or Expression. - maybe in a dimly lit room with a comfortable pair of quality headphones & you'll see what i mean .... he was playing from and for a very open state of consciousness ;)

“...[Coltrane] had a pair of binoculars and, back in San Francisco, during the intermission from his playing at the Jazz Workshop, we'd walk ten blocks to a field down by the freeway, and he'd start looking at the stars. He knew where the Milky Way was, and everything.
Coltrane looked at the sky, the stars, scrutinizing the night for a long moment of infinity as if to discover the secrets of the universe, a universe that appeared to trouble him with its complexity, its power and its unknown dimensions...After a while, we climbed back up, slowly and always in silence, the slope to Broadway, I to recover my corner and continue to listen feverishly; Coltrane to anxiously reclaim his saxophones and his work of research, his mysterious quest....”
Louis-Victor Mialy
[remembering an event from September 1961])

John Coltrane is
Doctor Recommended
TRIP MUSIC!
Click Here to learn more ...


Terrence McKenna notes that,
"The pro-psychedelic plant position is clearly an anti-drug position.
Drug dependencies are the result of habitual,
unexamined and obsessive behavior;
these are precisely the tendencies
that the psychedelics mitigate."

Another fact worth considering is that reading Medical journals
(or even the DEA website) will disclose that Psychedelic compounds
and plants are all classified as Counter-Addictive, (meaning that
the effects of the drug itself discourage repeated indiscriminate use.)

There is a huge difference between advocating
responsible psychedelic plant use for medical reasons,
spiritual reasons or for inspiration, and advocating uncontrolled drug abuse.
 

 
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